Kristian Šupe rođen je 1992. godine u Šibeniku. Još u osnovnoj školi bio je polaznik Dječje dramske radionice Šibenskog kazališta. Igrao je u predstavama za djecu koje je adaptirao i režirao tadašnji voditelj dramske radionice, glumac Mate Gulin.
E-mail: kristiansupe@outlook.com
U Zagrebu 2014. godine upisuje prijediplomski studij Gluma na Fakultetu za film i scenske umjetnosti i diplomira 2018. godine s kolektivnim diplomskim predstavama A.P. Čehova Galeb (mentorica: prof. mag. art. Branka Cvitković) i Tri sestre (mentor: prof. red. Art. Želimir Mesarić), potom upisuje diplomski studij Gluma na Umjetničkoj akademiji u Splitu, gdje magistrira s autorskom monodramom Šest pitanja pod mentorstvom prof. red. art. Goran Golovko. Od siječnja 2025. godine postaje član ansambla HNK u Šibeniku.
Uloge u HNK u Šibeniku:
Carlo Goldoni GRINTALO (Meneghetto, cugino di Fortunata / Cvitko Belamarić, nećak šjore Fortunate), dram. Marijana Nola i red. Zoran Mužić, 2026.
John Buchan, Alfred Hitchcock, Patrick Barlow, Marko Juraga, Vid Balog UZA SKALE NIZA SKALE (Richard Hanney / Tonko Medulić), asist. red. Dora Janz Balog i dram./red. Vid Balog, 2025.
Marina Anđelković i Toni Eterović PTICA ČUDESNIH KRILA (Profesor matematike), dram. Petra Cicvarić i red. Peđa Gvozdić, 2025.
Bojan Brajčić PRIGODE BERU JAGODE (javni bilježnik Frane), dram. i red. Bojan Brajčić, 2025.
Sergej Mioč JESENKO (dabar Dabo drvosječa), dram. Sergej Mioč i red. Bojan Brajčić, 2024.
Jean Anouilh ANTIGONA (Hemon), red. Jasmin Novljaković, 2024.
Ivana Vuković i Paško Vukasović DRAŽEN (Profesor i Klinac), dram. Ivana Vuković i red. Paško Vukasović, 2023.
Sergej Mioč ŠUMICA (dabar Dabo drvosječa), dram. i red. Sergej Mioč, 2022.
Sergej Mioč GRUDICA (snjegović Bijelko), dram. i red. Sergej Mioč, 2021.
Nikolaj Vladimirovič Koljada MURLIN MURLO (Mihail), red. Oriana Kunčić, 2020.
Albert Barillé ULJEZ U KAŽIPRSTU (Trombocit i Leukocit), red. Marina Pejnović i dram. Ivan Penović, 2019.
Albert Barillé AVANTURA BROKULE I ČEŠNJAKA (Krumpirić, Pileći medaljon, Enzim, Dobra bakterija i Resica), red. Marina Pejnović i dram. Ivan Penović, 2019.
Pierre Gripari INSPEKTOR PSINA (Vuk, Kraljević i Razbojnik), red. Pero Mioč i dram. Sergej Mioč, 2019.
Hans Christian Andersen DJEVOJČICA SA ŽIGICAMA (Noćobdija), dječja dramska radionica Šibenskog kazališta, red. Mate Gulin, 2007.
Hans Christian Andersen NEŠ TI BIŽA (Kuhar), dječja dramska radionica Šibenskog kazališta, red. Mate Gulin, 2005.
Uloge izvan HNK u Šibeniku:
Gaetan Donizzeti LUCIA DI LAMMERMOORE (Dvorjani, Narod) HNK Zagreb, Talijansko veleposlanstvo u HR i Talijanski institut za kulturu, red. Pier Luigi Pizzi i dir. Josip Šego, 2020.
Giacomo Puccini MADAMA BUTTERFLY (Rodbina Madama Butterfly, Matičar, Narod/gosti) HNK Zagreb i Fondazione Arena di Verona, red. Andrea Cigni i dir. Pier Giorgio Morandi / Josip Šego, 2019.
Giuseppe Verdi TRUBADUR (Vojnik grofa Lune), HNK Zagreb, red. Arnaud Bernard i dir. Marcello Motadelli / Josip Šego, 2019.
Helena Bulaja Madunić NIKOLA TESLA – MIND FROM THE FUTURE (Tesla automaton), red. Helena Bulaja Madunić i asist. red. Lovro Krsnik, 2018.
Wolfgang Amadeus Mozart ČAROBNA FRULA (Vojnik, Taminova sjena, rob Monostatosa) HNK Zagreb, red. Krešimir Dolenčić i dir. Josip Šego 2018.
Giacomo Puccini TURANDOT (Dvorjanin, Vojnik i Straža), HNK Zagreb i Sferisterio festival Macerata, red. Stefano Ricci i red. Gianni Forte i dir. Marcello Motadelli, 2018.
Ivan Ivica Krajač i Dražen Žanko MIRAKUL (fra Krste), UO Mirakul, red. Ivan Ivica Krajač i Dražen Žanko, 2017.
Miroslav Međimorec NEBO NAD ZAGREBOM (Zaljubljeni mladić), GUSTL TEATAR & CZK Histrionski Dom, red. Miroslav Međimorec, 2016.
Televizijske serije i filmovi:
DIVLJE PČELE (Giordano Bonačić), dramska serija, prod. Fremantle Croatia, em. RTL, 2026.
BUMBAROVO LJETO (Ribar Ante), dugometražni film, red. Danijel Kušan, prod. Interfilm, 2025.
ŠALŠA (Lik sa gitarom / Zombie), dugometražni film, red. Dražen Žarković, prod. Maxima Film, 2024.
DER KROATIEN-KRIMI (Primeboat Employee), kriminalističko-dramska serija, red. Michael Kreindl, prod.Constantin Television, em. ARD / Das Erste, 2024.
INFINITY POOL (Bartender), dugometražni film, red. Brandon Conenberg, prod. Film Forge, Elevation Pictures, 4 Film, Celluliod Dreams, 2023.
THE MATCH (Hungarian Soldier), dugometražni film, red. Jakov Sedlar, prod. Sedlar Film / Sedlar Productions, 2020.
DRUGO IME LJUBAVI (Službenik Horvat), dramska serija, prod. Fremantle Croatia, em. RTL, 2019.
’KO TE ŠIŠA (Mladić), humoristična serija, prod. Novele Media, em. RTL, 2018.
Nagrade i priznanja:
Godine 2021. nominiran je za Nagradu hrvatskog glumišta u kategoriji Izuzetno ostvarenje mladih umjetnika do 28 godina – drama – muška uloga za odigranu ulogu Mihaila u predstavi Murlin Murlo (2020; HNK Šibenik, red. mag. art Oriana Kunčić).
ADRESA: Kralja Zvonimira 1,
22000 Šibenik – Hrvatska
OIB: 58343929119
EMAIL: tajnistvo@hnksi.hr
TELEFON +385(22) 213-145
FAX: +385(22) 212-134
PON-PET: od 10 do 13 sati i 1 sat prije početka programa.
SUB: na dan programa, od 10 do 13 sati i 1 sat prije početka programa.
NED / BLAGDANI: 1 sat prije početka programa.
Hrvatsko narodno kazalište u Šibeniku
We firmly believe that the internet should be available and accessible to anyone, and are committed to providing a website that is accessible to the widest possible audience, regardless of circumstance and ability.
To fulfill this, we aim to adhere as strictly as possible to the World Wide Web Consortium’s (W3C) Web Content Accessibility Guidelines 2.1 (WCAG 2.1) at the AA level. These guidelines explain how to make web content accessible to people with a wide array of disabilities. Complying with those guidelines helps us ensure that the website is accessible to all people: blind people, people with motor impairments, visual impairment, cognitive disabilities, and more.
This website utilizes various technologies that are meant to make it as accessible as possible at all times. We utilize an accessibility interface that allows persons with specific disabilities to adjust the website’s UI (user interface) and design it to their personal needs.
Additionally, the website utilizes an AI-based application that runs in the background and optimizes its accessibility level constantly. This application remediates the website’s HTML, adapts Its functionality and behavior for screen-readers used by the blind users, and for keyboard functions used by individuals with motor impairments.
If you’ve found a malfunction or have ideas for improvement, we’ll be happy to hear from you. You can reach out to the website’s operators by using the following email
Our website implements the ARIA attributes (Accessible Rich Internet Applications) technique, alongside various different behavioral changes, to ensure blind users visiting with screen-readers are able to read, comprehend, and enjoy the website’s functions. As soon as a user with a screen-reader enters your site, they immediately receive a prompt to enter the Screen-Reader Profile so they can browse and operate your site effectively. Here’s how our website covers some of the most important screen-reader requirements, alongside console screenshots of code examples:
Screen-reader optimization: we run a background process that learns the website’s components from top to bottom, to ensure ongoing compliance even when updating the website. In this process, we provide screen-readers with meaningful data using the ARIA set of attributes. For example, we provide accurate form labels; descriptions for actionable icons (social media icons, search icons, cart icons, etc.); validation guidance for form inputs; element roles such as buttons, menus, modal dialogues (popups), and others. Additionally, the background process scans all the website’s images and provides an accurate and meaningful image-object-recognition-based description as an ALT (alternate text) tag for images that are not described. It will also extract texts that are embedded within the image, using an OCR (optical character recognition) technology. To turn on screen-reader adjustments at any time, users need only to press the Alt+1 keyboard combination. Screen-reader users also get automatic announcements to turn the Screen-reader mode on as soon as they enter the website.
These adjustments are compatible with all popular screen readers, including JAWS and NVDA.
Keyboard navigation optimization: The background process also adjusts the website’s HTML, and adds various behaviors using JavaScript code to make the website operable by the keyboard. This includes the ability to navigate the website using the Tab and Shift+Tab keys, operate dropdowns with the arrow keys, close them with Esc, trigger buttons and links using the Enter key, navigate between radio and checkbox elements using the arrow keys, and fill them in with the Spacebar or Enter key.Additionally, keyboard users will find quick-navigation and content-skip menus, available at any time by clicking Alt+1, or as the first elements of the site while navigating with the keyboard. The background process also handles triggered popups by moving the keyboard focus towards them as soon as they appear, and not allow the focus drift outside it.
Users can also use shortcuts such as “M” (menus), “H” (headings), “F” (forms), “B” (buttons), and “G” (graphics) to jump to specific elements.
We aim to support the widest array of browsers and assistive technologies as possible, so our users can choose the best fitting tools for them, with as few limitations as possible. Therefore, we have worked very hard to be able to support all major systems that comprise over 95% of the user market share including Google Chrome, Mozilla Firefox, Apple Safari, Opera and Microsoft Edge, JAWS and NVDA (screen readers).
Despite our very best efforts to allow anybody to adjust the website to their needs. There may still be pages or sections that are not fully accessible, are in the process of becoming accessible, or are lacking an adequate technological solution to make them accessible. Still, we are continually improving our accessibility, adding, updating and improving its options and features, and developing and adopting new technologies. All this is meant to reach the optimal level of accessibility, following technological advancements. For any assistance, please reach out to